La Traviata
Giuseppe Verdi
©Steve Barek
Distribution
VIOLETTA VALERY
Amina Edris
FLORA BERVOIX
Yete Queiroz
ANNINA
Seraphine Cotrez
ALFREDO GERMONT
Nico Darmanin
GIORGIO GERMONT
Francesco Landolfi - Sergio Vitale
GASTONE DE LETORIÈRE
Matthew Justine
BARON DOUPHOL
Francesco Salvadori
THE MARQUIS OF OBIGNY
Frederic Goncalves
DOCTOR GRENVIL
Guy Bonfiglio
ACTRESSES
Jacqueline Cornille, Noémie Develay-Ressiguier
©Christophe Reynaud de Lage
©Steve Barek
Artistic team
LIMOGES OPERA CHORUS AND ORCHESTRA
MUSICAL DIRECTION
Robert Tuohy
STAGING
Chloe Lechat
DRAMATURGY
Judith Chaine
SET DESIGN
Emmanuelle Favre
LIGHTS
Dominique Bruguiere
COSTUMS
Arianna Fantin
CHOREOGRAPHY
John Hostache
ARTISTIC COLLABORATION
Raphaelle Blin
SET DESIGN ASSISTANT
Anais Favre
LIGHTING ASSISTANT
Pierre Gaillardot
CHOIR DIRECTOR
Edward Ananian-Cooper
VOCAL LEADER
Elisabeth Brusselle
Premiere on February 6, 2022, Opéra de Limoges
DIRECTION MUSICALE
Federico Santi
MISE EN SCÈNE
Chloé Lechat
DRAMATURGIE
Judith Chaine
DÉCORS
Emmanuelle Favre
LUMIÈRES
Dominique Bruguière reprise Pierre Gaillardot
COSTUMES
Arianna Fantin
CHORÉGRAPHIE
Jean Hostache
COLLABORATION ARTISTIQUE
Dagmar Pischel
ASSISTANTE SCÉNOGRAPHE
Anaïs Favre
CHEF DES CHŒURS
Alan Woodbridge
CHEFFE DE CHANT
Frédéric Rouillon
Chœur de l’Opéra Grand Avignon
Orchestre national Avignon-Provence
Première le 11 octobre 2024, Opéra Grand Avignon
VIOLETTA VALERY
Julia Muzychenko
FLORA BERVOIX
Albane Carrère
ANNINA
Sandrine Buendia
ALFREDO GERMONT
Jonas Hacker
GIORGIO GERMONT
Serban Vasile
GASTONE DE LETORIÈRE
Kenny Ferreira
LE BARON DOUPHOL
Gabriele Ribis
LE MARQUIS D'OBIGNY
Dominic Veilleux
LE DOCTEUR GRENVIL
Geoffroy Buffière
COMÉDIENNES
Jacqueline Cornille, Alice Lestienne
"The red thread retained is fascinating because it offers a real vision of the work: it is in fact a question of showing how the patriarchal domination and the capitalist exploitation of women act in this work as the engine of the plot, a machine hellish and relentless fatality.”
"A rather exceptional evening in short, which suggests that we will never have enough of La Traviata!"
“How to stage an opera singer who interprets a dying woman? Chloé Lechat approached the question, playing with finesse, delicacy, sobriety, sensitivity. We believe in this death. The work then reaches the sublime. The emotion is at its peak.”
